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Da Hornet Vst Plugin Download UPDATED


We modeled a real piece of gear which is found in the studio of our friend Flavio aka TheBuildzer, we measured the response of the unit, the transfer function, the attack and release behavior and put everything into this new plugin which improves the OPTO model in Multicomp Plus MK2 and recreates the sound of this historical compressor.

The demo is fully functional except for the fact that every now and then it will silence out, you cannot save parameter values with your session and the plugin will not respond to automation coming from the host.

Packaged into a single plugin you can find: an equalizer (using the same technology found in our TotalEQ) a compressor (using the same technology of our SyncPressor) a clipper and a limiter (using the same technology of our Magnus MK2). These processors take the audio from each track and apply the same settings to every track, simulating the effect of a master bus processor.

The order of the effect can be rearranged dragging their position on the right part of the plugin interface and their meters and side chain are fed with the sum of the input of every instance of the plugin, mimicking the behavior of a master bus processor.

This is the core of the plugin but to make it more versatile and interesting we added: pre-emphasis and de-emphasis filters, a soft clipper and an hysteresis module that allows harmonics to behave like a tube a transformer or a magnetic tape.

The HoRNet VU Meter MK4 is a digital VU meter plugin with automatic gain setting and grouping functions, the new GUI is now scalable and has been optimised to take less space than the previous version and let you focus on the meter bars. In addition to the GUI VU Meter MK4 also allows you to give names to your tracks and groups, send every parameter change to any instance of VU Meter MK4 (not just the ones in the same group) and display the level of any of the other instances in the project without closing the GUI and choosing a new track.

In mixing VU Meter plugin is even more useful, used in conjunction with the peak meter of your DAW can help you identify critical tracks that have too much energy in the transients and not enough loudness, but the single most useful feature is the auto gain. Gain staging is a crucial part of every mix, especially if you use analog emulating plugins, hitting them too high means creating too much distortion that then adds up in the mix.

My favorite software vocoder, hands down, would be the Softube Vocoder. It offers a rich and full sound, without being too harsh. It is also incredibly malleable, giving many options to remodel the signal. This is especially important with vocoders because dialing in the precise settings will make the effect sit in the mix way better with far less work. UAD and Softube are both companies known for their extreme attention to having accurate sounding emulations, and this plugin is no exception. As with all UAD software, this plugin requires having UA hardware to run, but this little guy is well worth it.

Price: $149 Plugin Type: Digital Effect Quality / Design: Sporting a fun and simple interface, this plugin has a bunch of goodies bundled in that makes it way more than just a vocoder.

Price: $199 or $9.99 on Plugin Type: Digital Effect Quality / Design: iZotope comes in strong with this organized and well thought out plugin, featuring tons of options and stellar sound quality.

I have always been a big iZotope fan, but Vocalsynth 1 fell short of my expectations. They redeemed themselves with the release of iZotope Vocalsynth 2, garnering support from pop producer Ian Kirkpatrick (Dua Lipa, Selena Gomez, Justin Bieber, Britney Spears), and offering a completely redesigned and revamped plugin. If the price tag scares you, this monster can be picked up rent-to-own from for a mere $9.99/month, making it way more approachable for the home-studio producer.

Price: Stock with Ableton Plugin Type: Digital Effect Quality / Design: All of Ableto


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