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The Big Doll House


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The Big Doll House


Jack Hill went on to direct several more grindhouse classics including: the follow up to The Big Doll House entitled The Big Bird Cage, Two Blaxploitation jewels starring Pam Grier: Coffy and Foxy Brown as well as the girl-gang masterpiece: Switchblade Sisters.


The Big Doll House is an essential title to own for fans of Jack Hill and the WIP subgenre. This was the first film that introduced us the beautiful Pam Grier!! Director Jack Hill did an amazing job with a very low budget and created an exciting, sexualized action-adventure film starring some of the 70s most beautiful babes. If you love Grindhouse classics don't miss it!


Peter Roberts is the co-founder/editor-in-chief of the Grindhouse Cinema Database (GCDb) and contributor to the GCDb's sister site Furious Cinema. A Massachusetts native, he is an avid film fan that has been immersed in the world of entertainment and pop culture his entire life. He holds an AS with Highest Honors in Communications and Interactive Media Design.


Three years ago, and the house at Stanhope Gate had not been thought of. Three years ago Jack Harness and his wife lived in the country, and the city and its ways was a sealed book to him. Then somebody came along with a wonderful formula in the shape of a new dye, and Harness was invited to put a thousand pounds into it, and incidentally make a huge fortune wthout interference with his present employment, which in his case generally meant shooting partridges or playing golf. Within a year Harness was passing most of his time in the City, where his money was now involved. He had known the rack of anxious days and sleepless nights; he had stood more than once on the verge of ruin. And so gradually his fortunes had gone one step back and two forward till now he was spoken of as one of the coming men, and the doll's house in Stanhope Gate was the envy of all Kitty's friends.


"Well, I will tell you," Kitty said. "It is so dreadfully cold and formal and artificial. It's all make believe, Jack, just like it used to be in the old nursery at home when I was giving a doll's tea-party. Now confess it, my dear old boy, don't you feel horribly lonely sometimes in this big house Out of the men that come here can you reckon on one real friend"


Kitty made no reply. Her thoughts were far enough away, away in the heart of a pleasant country amongst green fields and shady woodlands, and in the background a low, rambling house, all white, with black cross beams and latticed windows peeping out from overhanging eaves. She could see the sunk rose garden with its grass paths and the battered old sundial athwart the cedar, where a work-table was laid out and a girl curiously like herself, was waiting for a man who bore an odd evasive likeness to that older man who was sitting opposite her in the doll's house. And everywhere was the air of good health and sweetness and content and the laughter that seems honour in small things and is content with the joy of today and the promise of tomorrow. Ah, well! this was all so different to the cold, artificiality of the doll's house, with the music of the birds and the bleating of the lambs in distant pastures was changed for the hoot of the horn and the sullen roar and rush of the traffic.


Harness smiled in spite of himself. He was wondering what Ellis would say if he only knew the truth and if he could understand why the colour had flamed into Kitty's cheeks. For this young man held the fortunes of the doll's house in his hands, and if diplomacy failed, then the whole structure must collapse like a house of cards. Leaning back in her chair, with half-closed eyes and a strange fluttering in her heart, Kitty watched the progress of the fray. Very cleverly and skilfully Harness led up to that which was foremost in his mind, and Kitty caught herself wondering if this was the man she had promised to love and obey.


There was no more, not even a word of thanks or a good-night. And all the time that Nero ha




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